The Critique

Vaninetti:"About Myself and My Painting"
Raffaele De Grada, 1966,1987, 1989
Wolfgang Hildesheimer, 1966
Nazareno Fabretti, 1961, 1972
Luigi Santucci, 1972
Sigrid Genzken, 1972
Walter Birnbaum,1975
Enzo Fabiani, 1985, 1987
Gritzko Mascioni, 1985,1987

Vaninetti and his fellow-villagers
Giulio Spini, 1960, 1997
Camillo De Piaz, 1960
Piergiuseppe Magoni, 1972
Giancarlo Grillo, 1970
Ferruccio Scala, 1960
Mario Garbellini, 1970
Franco Monteforte, 1976
Luigi Festorazzi, 1985
Guido Scaramellini, 1986, 2005
Carlo Mola, 1988
Eugenio Salvino, 1988
Arnaldo Bortolotti, 1993
Giulio Spini, 1960, 1997

The substance of Vaninetti's painting is to be found in a poetic objectivism, apt to draw secret occasions of happiness and poesy from everyday experience.

When revisited in visual memory, Vaninetti's paintings are an elegy to the peasant Valtellina that was then descending it's so clear now into the three decades or so of its sunset. A De Profundis, a musical address, nostalgic and consolatory at the same time, to an irretrievable Valtellina.
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